Slow Horses (season 4)
The rejects in Slough House are back. The series continues to mix the two styles of British spy stories, Bond and le Carré, flashy and seedy. This time we have a classic trope of both genres: the long buried secret. This is nicely woven into the existing characters in a way that, in retrospect I should have seen coming but, as each twist was revealed, it felt at least surprising, sometimes shocking. It’s hard to really talk about without spoilers. It’s an adaptation of a spy novel where there’s a necessarily intricate plot to satisfy the spooks fans, but I will say that, as mentioned above, there’s some lovely character work here too. Part of that is because we have a larger cast. Even with some of the slow horses being functionally red coats, walking fatalities waiting to happen, albeit slightly more filled out than the classic Trek version - we know something about these characters rather than them being a non-speaking extra hired for the week - we have quite a number of characters